![]() ![]() ![]() ![]() Correcting white balance is absolutely necessary to get a proper color. IMPORTANT NOTE: I skipped an important step in the video. The Plustek does a better job with color and now gives me the option to have my lab only develop my color film so I can scan it myself. Vuescan Pro Torrent Negative Lab Pro isn’t just for color negatives it’s also an incredible tool for black and white film processing. I didn’t use my Scan Dual for color film much as I didn’t like the look right off the scanner. It does fine work with black and white, and yields scans much larger than the older Scan Dual - 7200 dpi vs. The Plustek yielded a more turquoisey hue in the vehicle than the lab did. The colors are much more alike than in the previous color comparison. Once again the lab scan has stronger contrast. Other than a slight difference in the crop, these are hard to distinguish from each other. But I’m not sure which look I like better. The third-party software is made possible by reverse-engineering drivers for more than 6,000 older scanners from 42 manufacturers, including film scanner and flatbed models. With it, Mac users can use their older 32-bit scanner with their Apple desktop or laptop even if they're running macOS Catalina. I could probably have Photoshopped my scan to get exactly the lab scan’s warmer look. VueScan was upgraded this week to version 9.7. The lab scan is warmer with more contrast. To create suitable scans you first have to select the input tab and to choose either slide or color negative from the media pulldown list. Both scanners did a great job of cutting through the base fog of this very expired film. Hamrick Software's VueScan Professional is very well suited to create linear scans of slides and negatives since the professional version of VueScan features a special RAW output mode. These are hard to distinguish from each other at blog size. Nikon N90s, 50mm f/1.8D AF Nikkor, GAF 125 (Ansco Versapan) x-7/72, HC-110 B 6 minutes. Right away, you can see that the Plustek captures more of the frame than the Scan Dual, as the Scan Dual scan was not cropped. If you’d like to pixel peep, click any image to see it on Flickr, where you can see it at full scan size.įirst, a frame I shot in my Pentax ME SE with my 50mm f/1.7 SMC Pentax-M lens on Fomapan 200 EI 125, developed in Ilford ID-11 stock. Thoughts on Vuescan and Negative Lab Pro Plugin for scanning.Comparison Review: Can VueScan or SilverFast archive your. ![]() All photos were Photoshopped to my liking at the time of scanning, and my liking does vary over time. The Plustek scan is always first in each pair. I’ll share a scan from each roll here from the Plustek, and for black and white a scan from the Scan Dual II, and for color a scan from the lab’s scanner. I scanned strips of Fomapan 200, T-Max 100, Kodak Max 400, Fujicolor 200, and 50-year-expired GAF 125, aka Ansco Versapan. I just stuck with VueScan, which recognized the Plustek instantly. I used to use it with my old Epson flatbed and found it to be so cumbersome as to be unpleasant. My Plustek came with SilverFast scanning software, but I didn’t install or use it. If you are looking for a tool to edit negative film Negative Lab Pro is probably one of the best tool out there. Holy cow, is the Plustek blazing fast compared to the Scan Dual II! I scanned a strip in the Plustek from each of the last five rolls of film I shot. She had heard me lament the long scan times I was experiencing with my otherwise acceptable Minolta Scan Dual II and decided to help a film photographer out. Please ensure you are connected to the internet before activating.My wife bought me a Plustek OpticFilm 8200i SE scanner for Christmas. There will be an area to input your license, and hit "Submit" to activate. No refunds will be given since you should have adequate opportunity to evaluate before purchase.Īfter purchase, in Lightroom, go to "File > Plug-in Manager" and select the "Negative Lab Pro" plug-in (if not already selected). You are encouraged to try this first before purchasing. Lightroom Classic (recommended) or Lightroom 6 Standalone (from 2017) RAW Camera Profiles for DSLR scanned negative Intuitive, non-destructive editing tools for adjusting tone and color balance With Negative Lab Pro, lab-quality tones and colors are just a click away.ġ-Click Negative Conversions in Lightroom for Color and B+W FilmĪdvanced Color Correction and Tone Adjustments No more messing around with tedious exports and hand-edited curves. Negative Lab Pro brings impossibly good color negative conversions right into your Lightroom workflow. Recapture the Magic of your Color Negatives ![]()
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